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[RECIPE] How to make a distorted guitar like synth in serum based on "Hold tight" by Dälek (step by step)
Step one- pick the preset serumofgod.
I started from here because I noticed it sounded like a guitar when I was remixing this song and went with it. It turns out I was super close to the end product.
Step two- set the Phase randomness to 100%.
When we start adding voices it makes it sound less, punchy, I guess? It makes it maintain its feel.
Step three- Added a saw sub, drag it down by an octave
Drag to 15%. This saw fills up the mix a bit more and will add to the sound when we distort it.
Step four- add noise, I used AC hum 2 but you are free to do what ever you want.
I set it at 32%. Its to emulate amp static and add some flavor to the sound.
Step five- Create LFO
Down ward saw LFO on envelope mode. I am working at 91 BPM (which is hold tight's tempo), so I have it at 1/8. Adding tension/ extra movement is fine as long as it slops downwards. If you want a more varied sound you can create more LFO's with varying speed and shape.
Step six- Adjust filter.
Now that we have the fundamental stuff done, we can speed up a bit.
I personally have Sub and noise checked. However, it's not crucial, and if you want you can put it unchecked. You just may need to adjust you volume accordingly
Here are the settings on the filter, nothing needs to be super accurate but it just needs to be about.
cut off at 380 resonance at 30% pan at 50% Drive at 50 Fat at 89 Mix at 100%Step 7- Adjust oscs
for both oscs add 9 voices and detune it by 0.08. Both both oscs at 55% volume.
For osc B bring it 7 semitones up (so its a fifth) and put it's wave table at 33.
Go into the global tab, make both oscs have a
spread of two a width of 100 a warp of zero and are one super mode.Put osc A on wt pos 0 (it should be by default) and give it a stack of center 24. Put osc B on wt pos 30 and a stack of center 12.
Step 8- Modulation
Using the LFO(s) you creating earlier modulate:
Sub level by 18 osc levels by 25. Osc fine pitch by 7 cut off by 7 Resonance by 11 fat by 9Make sure all modulation is one way and downward.
Step 9- effects
remove hyper dimension.
Change distortion to stomp box.
Set drive to 100.
turn filtering off.
on the equalizer set the freq to 1800 and drop set gain to -1 db
Step 1- clone the first synth.
we will be keeping a lot of the setting of the first synth so it will feel more like one sound rather than stacked synths.
Step 2- change sub to the sub wave form.
it gives us a cleaner bass tone, if you would like, you can drop it from -1 to -2 if you want have more bass frequencies.
Step 3- disable noise
we already added the noise in the first synth and that's enough for the sound. you can add in noise if you would like though. Just make sure it doesn't make the synth too dirty.
Step 4- Oscs
set both oscs to saws, doesn't matter what kind, just as long as it is a saw. Im using a custom saw.
After that, remove the unison voices, and bring both oscs up 1 octave.
Step 5- Filter
turn down the mix on the filter. Mine is at 50%, but anything above 20% is fine.
Step 6- Effects
set distortion to diode 2 and mix to 85%.
turn on filter, set it to low 12, copy these settings
cut off at 6000 resonance at 8 drive at 25 fat at 100---MIXING---
There is where stuff gets tricky, I use fl studio and im not complete sure how everything translates. So try to interpret what im saying into your DAW.
Step 1- levels
assuming your using a patcher, route both synths to their own fruity balance (which is a gain knob). Use the gain knobs to make sure the level of the first synth is around 4 dbish higher than second.
In the song, the guitar synth is airy and somewhat messy. I set fruity reeverb 2 to these settings.
highcut as 5.0k lowcut as 500 predelay 0 size 75 diff 100 mod 0 mod speed 33 (this doesnt matter) bass 100% cross 1k decay time 1.5 seconds damp 4k dry 100% early reflections 50% wet 75% stereo seperation -50%this isn't super required, although some small reverb here will help. Route both channels in to the reverb.
Step 3- Overdrive
In order to mesh the two synths together I added some overdrive with fruity blood overdrive, I'm sure any form of overdrive/distortion is fine though. My settings are:
preband 0 color 0.4 preamp 0.4 postfilter 0.04 Postgain -0.08I put overdrive after the reverb to exaggerate the reverb and add some resonance usually its not a good idea to distort your reverbs.
Step 4- delay
again, I used this is to add to the atmosphere, this isn't required if you want the synth itself. I used fruity delay 3, but mostly all delays are the same. Anyway here's my settings:
Wet in 100 Delay time 2 (change based on tempo) offset -14 Model: true stereo stereo spread: 100% feedback: 40% feedback cut off: 5k Resonance: 8% filter:LP Smp rate max bits max no modulation no diffusion feedback distortion type: saturation level: 20% knee:50% symmetry:25% Wet out:25% output tone: -25% dry: 75%And that's it when it comes baseline stuff.
to customize it you can:
- modulate other settings
- change settings
- layer more synths (ex: sine for a cleaner bass tone)
- use different types of distortion
- add more noise/different noise (ex: a strum sound to make it seem like a real guitar)
- add effects