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It's been 1 year since Apple TV+ began, and I have watched every one of their shows (except the kids stuff)! Here's my ranking...[No Spoilers]

In one year, Apple TV+ has released a pretty solid slate of original material. Not including children-oriented content, Apple TV+ has released 20 series, 3 miniseries, 9 movies, and 2 talk shows. From the start, Apple has said that the goal of the content is on quality, not quantity. But…has it lived up to that?
34 - Greatness Code - Documentary
Summary: Each episode features a different athlete talking about a key moment in their careers. The show features athletes from many different sports, including basketball’s LeBron James, soccer’s Alex Morgan (sorry…footballer Alex Morgan), snowboarder Shaun White, sprinter Usain Bolt, swimmer Katie Ledecky, surfer Kelly Slater, and (American) footballer Tom Brady (who is a co-producer).
My Take: This is the easy winner for the worst thing on Apple TV+. The only good thing about this “show” is that the episodes are usually no more than 10 minutes long. The monologues by the athletes are…fine. There’s nothing you haven’t really heard before here. The problem is that the special effects take away from actually seeing the athlete in action. Almost every bit of action has some animation or filter or something over it, so we almost never actually see the events being discussed. It’s pretty ridiculous. After watching this, I genuinely wondered if this series was intended to be part of Apple TV+’s children’s offerings, because that is the only level where it could at all seem “great”.
33 - Oprah Talks Covid-19 - News (Miniseries)
Summary: Not long after the COVID-19 pandemic started major lockdowns across the United States, Oprah quickly began to do online interviews with people who she hoped would bring perspective and uplifting messages, from celebrities to pastors to nurses to people who had experienced isolation in prison and the holocaust. This series ran for nearly a month from mid-March to mid-April in 2020.
My Take: One of Oprah’s three series, this one is the lowest ranked just because much of the information within it is out of date, and is aimed at people at a certain time, which was months ago. But in a way, it’s a bit of a time capsule of the early parts of the pandemic in the public eye, which is interesting. It’s almost as interesting to see the production value (or lack there of), as the majority of the episodes are screen recordings of online interviews. It’s perhaps only worth watching now for being a curiosity, but Apple and Oprah did good getting something up in a timely fashion.
32 - Amazing Stories - Adventure
Summary: An anthology series executive produced by Steven Spielberg, the show brings back the “Amazing Stories” brand with five independent stories about incredible adventures that play with sci-fi and fantasy about regular people put in amazing situations.
My Take: Amazing Stories was to be one of Apple TV’s tentpoles for the summer. Unfortunately, the series landed flat, and is by far the biggest disappointment. It’s yet another TV series that original co-Producer Bryan Fuller left. The show was originally to have ten episodes, it ended up with just five. The stories were not very groundbreaking, though they were beautifully shot. It might be worth checking out for Robert Forster’s last project before he died (Dynoman and the Volt), and for the touching “The Heat” about high school runners from Oakland.
31 - Home - Documentary
Summary: As you might imagine, this documentary series is not just about the architecture of a house, but about the people behind building and designing them. Each episode features a different house and story, with houses chosen from around the world, from urban environments like Chicago and Hong Kong to remote locations in Maine and Bali.
My Take: Although cable and streaming is littered with television programs about houses and architecture, this show passes on the drama, which helps Home become a documentary, and not a reality show. The cinematography is predictably beautiful, but the pacing is slow, and it’s very hard to really get into. It doesn’t help that a couple of the home builders behind the stories are honestly not very likable. The final episode of the first season is really good, but ultimately, this show is a bit of a snooze beyond the real enthusiasts.
30 - Dads - Documentary (Movie)
Summary: Directed by Bryce Dallas Howard, this movie looks at fathers across the many levels of fatherhood, anchored by Howard’s own relationship with her father, actodirector Ron Howard, and her grandfather Archie, as well as Bryce’s non-celebrity brother who is an expecting father. The movie shifts to stories about fathers from around the world, and back to the Howards, to celebrate the ever-shifting role of fatherhood in modern society.
My Take: This documentary is a sweet, if simple, tribute to modern fatherhood. There’s nothing special here, it does exactly what you would expect it to. It has cameo interviews from comedian fathers, interspersed with random recordings of fathers from home movies and social media, and stories of fathers in different situations. There’s nothing bad about it, but it’s pretty dry overall. It’s not a waste, but it’ll probably end up being the thing you see in the list and say “Oh, I’ll watch that another time…”, which might as well be next Father’s Day with your dad.
29 - Dear… - Documentary
Summary: A documentary series that details the history and life of various individual celebrities, and uses letters written by people they have affected to frame those celebrities’ impact on people and society.
My Take: Apple has used the advertising method of using letters written to Apple or Tim Cook about how things have changed their lives (particularly the Apple Watch), and in that context this series feels like, well, advertising. Not to take anything away from the celebrities involved, but the marketing push feels very heavy here. And, of course, one of the celebrities featured is Oprah, who is a big presence in ATV+. It also gets absurd with one episode around Big Bird (in character); of course, the Muppets have a spin-off in the kids section of ATV+ called Helpsters. It’s best with the smaller names, where even I learned a little bit. It’s a decent feel-good if that’s what you’re looking for.
28 - Long Way Up - Documentary (Miniseries)
Summary: The third docu-series by Ewan McGregor and his best friend Charley Boorman as they take a long road trip by motorcycle. This trip, they are traveling from the southern tip of South America up to Los Angeles, and are doing it (almost) entirely on electric vehicles. The series highlights both the places they visit along the way, and the travails (and successes) of using these new, custom-made electric motorcycles. (The other two series Long Way Round and Long Way Down have also been added to ATV+, though they are not ‘Apple Originals’.)
My Take: I’ve got to be honest, it’s hard to get into watching others take a road trip. It’s nice enough. The footage is beautiful, as they use everything from GoPro helmet cams to drones to capture the scenery. But the major source of tension here is Range Anxiety, and the biggest drama is in whether or not they can do it all on electric bikes. Still, it’s interesting to see parts of South America many aren’t familiar with, including deserts and the vast Patagonia. And Ewan does seem like someone that would be a great bloke to be mates with. Some people will really enjoy this, I’m just not one of them.
27 - The Elephant Queen - Documentary (Movie)
Summary: Narrated by the soft-spoken Chiwetel Ejiofor, an elephant herd must navigate the climate of the savannah to survive. Led by the matriarch, they must migrate before the dry season hits to stay around water, and then return to their normal grazing land. Along the way, we meet the many other creatures of the savannah and face the changing climates and droughts that get in the way of these pachyderms.
My Take: A documentary much in the style of the old Disney documentaries, the Elephant Queen does a lot of anthropomorphizing its subjects, who range from elephants to dung beetles, and follows them through a difficult season. It is borderline kids-oriented, but adults might enjoy this as well. It’s not afraid to delve into some sad situations, and there is an overriding theme of what happens in droughts that can not be ignored. A sweet film, perhaps a bit saccharine.
26 - Hala - Drama (Movie)
Summary: Hala is a Pakistani-American teenage girl and her trying to balance her family and cultural pressures with being a teen in America. She longs to be out of the pressures of her family’s culture as she interacts with friends and teachers outside of the home. When she does try to act out, she begins to discover more about her family, both discovering secrets and sides she never knew about, as she discovers more about herself.
My Take: Apple TV+’s first fictional feature film release, this coming of age film is never really surprising, but it is a well made film that hits all the right nuances in trying to share Hala’s experience. It’s not a perfect film, as there are some shifts in tone and character that are rather sudden and jarring for the viewer, though all things considered, that’s probably what writedirector Minhal Baig was trying for. The emotions shift quickly and non-family characters disappear quickly, as it’s clear that this is Hala’s story, and not anyone else’s. It’s a solid watch.
25 - Trying - Comedy
Summary: A British couple, Nikki and Jason, have decided to adopt when they have trouble conceiving. They struggle with the truly difficult process of adopting, as well as insecurities about whether or not the two (who could be called slackers) are truly ready to be, or even worthy of being, parents.
My Take: This is a British comedy co-produced by BBC that is about an intensely serious subject. If you know British humor, you know that it will be very intentionally awkward, and this series can definitely hit that mark. While the show is certainly has about its two main characters (Rafe Spall and Esther Smith as the couple), it has a surprisingly large cast of supporting characters, but with only one star most Americans would know (Imelda Staunton as the most unintimidating social worker ever). It’s an interesting concept, and it finds some sweet moments, but not as many funny ones. It’s not bad, but is just okay.
24 - Oprah’s Book Club - Talk Show
Summary: This was the first Oprah show to appear on Apple TV+, serving as a cross-section of Apple services (which advertises Books and Podcasts), and the only one that got to meet the pre-pandemic style of Oprah’s shows. The idea was that Oprah would interview authors and let an audience ask questions. But the series also shows the effects of the pandemic. Once the pandemic hits, the audience is gone, and it becomes direct virtual interviews for a couple of episodes before Apple and Oprah find a way to have a virtual audience.
My Take: I admit, I didn’t read any of the books selected for this list. I still got something out of these shows, but more of an analysis of Oprah than the books. It did show off one of her worst traits, which is how she answers for an interviewee when they were slow to find a point, and she talked over a lot of people. But you could also see her energy change when she had a live audience versus online interviews, and even different with a virtual audience. You could also see her energy change about what books she is passionate about versus those less so. So this wasn’t a waste, but I wasn’t enthusiastic.
23 - Truth Be Told - Drama
Summary: Poppy Parnell (Octavia Spencer) is a true crime podcaster after a successful career as an investigative reporter, but she comes to dwell on the first case that made her famous, where a teenager was put away for murdering his neighbor. Now an adult (played by Aaron Paul), Poppy begins talking with him to see if she made a mistake. Meanwhile, the victim’s family is forced to revisit the crime, including twin daughters (both played by Lizzy Caplan), and Poppy’s family confronts her for supporting Cave, who has joined a white supremacist gang in prison.
My Take: This show has an incredible cast, with Michael Beach, Mekhi Phifer, and Ron Cephas Jones in big supporting roles. Race is an unavoidable part of this story, but so is culture, as Poppy is split between her family’s blue-collar roots in Oakland, and the Silicon Valley lifestyle she now lives with her husband across the bay. The Bay Area setting of this series is a big part of the symbolism. The problem is that the mystery viewers came for was never really important. This would’ve been a good third season of a show, once a status quo for these characters had been found, rather than a confusing first season with lots of subplots.
22 - Central Park - Animation
Summary: Animated by the people behind Bob’s Burgers and created in part by Josh Gad, Central Park is an animated musical. The show revolves around the family of the manager of Central Park (Leslie Odom Jr.), and the villainous hotel owner (Stanley Tucci) who wants to undermine the park to buy it and develop it. Gad plays the busker at the park who serves as the audience’s narrator, and it plays like musical theater, with songs written by a range of artists, including Fiona Apple, Sara Bareilles, Cyndi Lauper, Aimee Mann, Alan Menken and Glenn Slater, and Meghan Trainor, among many others.
My Take: The show is silly, but not always in a funny way. The music is reminiscent of the irreverent nature of Avenue Q, and has some star power behind it, though a lot of the music is just meh. I’m not surprised my favorite song, “Spoiler Alert”, was cowritten by Alan Menken of 90’s Disney musical fame. The story, however, very often deviates from the main thrust of the plot and doesn’t seem like it’s going anywhere at times, as it’s more bothered with the humor in ridiculous situations, like the park manager’s son being obsessed with the villain’s dog Champagne. Ultimately, though, the show is just meh. The humor is fine, the story is barely relevant, and the majority of the music will not be found on many people’s playlists going forward, although of course you can find it all on Apple Music.
This show has been one of Apple TV’s only controversies, however. The cast is made from many of Gad’s friends. That led to some controversy, as Gad chose stars before choosing parts. Kristen Bell was put into the role of a bi-racial character, and the two villainous women in the series were played by men (Stanley Tucci and Daveed Diggs, though it’s hard to fault either performance). The controversy was first brought up over the winter. After the summer’s social upheaval, Bell stepped down from the role and her former character will be played in season 2 by Emmy Raver-Lampman. Bell will return as a new character in season 2.
21 - On The Rocks - Comedy (Movie)
Summary: Laura (Rashida Jones) is worried that her husband Dean (Marlon Wayans) may have gotten bored in their marriage and having an affair with a coworker. Laura’s father (Bill Murrary), a charming and unabashed ladies man, tries to help her figure out her suspicions as they follow Dean around.
My Take: Well, Apple TV+ paid for a Sofia Coppola film, and boy, did they get one. What this means is that this is a movie where the plot is less important than the conversation, and in particular, this might as well be a 2-person play between Jones and Murray. Murray is charming as basically a more chauvinistic version of himself, and Jones deadpan is the perfect counter. Ultimately the conversations are predictable, and the very obvious plot takes away any suspense. This lets the movie’s most emotionally revelatory scene go almost completely under the radar. Ultimately, it and any lessons from this film get lost in conversation. Luckily, though, Murray and Jones are enough to carry the film and stop it from becoming just plain lost.
20 - See - Drama
Summary: In the future, the world was hit with a virus that made all humans blind, and predictably led to a societal downfall. The remains of civilization live either in a world wildness has mostly reclaimed, or the ruins of what once was. The story centers on a family where two children have been born with sight, and their adoptive father (Jason Momoa) and their mother (Hera Hilmar), with friends, try to find others with sight, while being chased by a religious monarch and her soldiers, trying to rid the world of the sin of sight.
My Take: One of Apple TV+’s first showcase shows, with a bankable action star in Jason Momoa and a huge budget, See ended up as one of the platform’s disappointments. The show suffers because it’s trying to world build throughout its first season, but is constantly changing the status quo of the world through its first season. Time flies for the characters, as the kids born in the first episode are teens in 3 episodes. Supporting characters are set up and then lost in the shuffle. The show does a fantastic job putting together a realistic world of how the sightless would build a civilization, but it’s not enough to make up for a plot that barely sets a status quo before blowing it up for a new quo.
19 - Bruce Springsteen’s Letter To You - Documentary (Movie)
Summary: A documentary recorded while Bruce Springsteen and the E-Street Band recorded their first studio album since 2012, Letter To You was inspired as Springsteen lost a former bandmate from The Castiles, his band in the 1960’s. The documentary goes between the band playing the songs, and talking about themselves and their history.
My Take: This is a solid musical documentary, but there’s nothing groundbreaking here. It was filmed in 2019, when Springsteen was 70, and there’s no avoiding that this is and old white rocker feeling nostalgic and sharing wisdom and concerns of a life having survived rock and roll. Filmed in black and white, the documentary is comfortable and the music is nice, but it kind of fades into the background even while people are talking. Bruce and 80’s rock fans will love this. Others might turn it on and forget it’s playing.
18 - Little America - Comedy
Summary: A serial about the immigrant experience, Little America tells different stories about the immigrant life in America, from different time periods and different original countries. Whether it be a child prodigy who is left behind when his parents are deported, an African immigrant interested in becoming a cowboy, or a silent retreat where language is not a barrier, this serial tries to tell stories from every background
My Take: With Executive Producers Kumail Nanjiani and Emiliy V. Gordon as the true star power, this anthology series looks at eight different stories about immigrants living in America, all inspired by real life stories. Quality varies per episode, and sometimes it gets a little predictable and repetitive. Still, it has enough high points to work overall. My personal favorites were “The Manager” and “The Grand Prize Expo Winner”, the latter doing an amazing job of humanizing an often-mocked stereotype in media.
17 - The Oprah Conversation - Talk Show
Summary: Oprah’s intended talk show to bring in celebrities and experts and talk to them, but because of the pandemic, it is without a live audience. However, Oprah brings guests in remotely with huge and small screens that feels futuristic, not limiting in the way many pandemic shows have been. Oprah and the guest are in separate spaces but both are professionally filmed, and the limited audience members are present like portraits on the wall in a gallery.
My Take: Of the three Oprah shows, this feels most like “Oprah”. Due to the timing of the show after social upheaval, many episodes take on the subject of race and race relations. But others are oddly promotional, like Mariah Carey (who coincidentally has a holiday special coming with Apple TV) and Matthew McConaughey (and his new book). The episodes about race are particularly worth watching (as a white man, who is often uncomfortable talking about race). This is definitely peak Oprah.
16 - Little Voice - Drama
Summary: Sara Bareilles, Jordy Nelson, and. J.J. Abrams are the powerhouses behind this series, a sweet but not exactly groundbreaking story about a singer-songwriter trying to make it in New York. Bess (Brittany O’Grady) is a songwriter with anxiety about performing, despite a father in the business. As Bess tries to overcome her anxiety, she has to deal with her autistic brother (Kevin Valdez, an actor who is actually on the spectrum), her roommate/best friend, a coworker at the bar who wants to be her manager, a new musician partner, a potential love interest or two, and her alcoholic father and absent mother. That’s all.
My Take: It works on the back of star Brittany O’Grady, and a compelling cast of people around her life, especially Valdez’s performance, which is one of the most realistic portrayals of autism you’ll find. Bareilles wrote the music, which is beautiful as usual. Where the show falters is that it seems like it’s trying to do every single possible story at once, and every episode feels manic. It almost seems to exhaust every possible plot point and stumbling block in one season. But O’Grady and the music help you keep watching.
15 - The Banker - Drama (Movie)
Summary: Inspired by a true story, this movie follows Bernard Garrett (Anthony Mackie), an African-American prodigy, as he makes himself a success in Los Angeles real estate in the 1950’s and 60’s, and tries to move into banking in his home state of Texas. He and his wife (Nia Long) partners with businessman Joe Morris (Samuel L. Jackson) and white front-man Matt Steiner (Nicholas Hoult) to try and succeed in two racist industries.
My Take: One of Apple TV’s first movies, The Banker has big name stars in Avengers stars Mackie and Jackson and a big-time story. The movie is fast paced and at times feels like skimming a book. It doesn’t skimp on laughs in the first half (with Jackson providing his own laugh track), but it does get much more serious in the second half as it and the characters directly address the racism around them. This is the first Apple TV+ movie that feels distinctly “Hollywood”, both in style in structure. That helps raise ATV+’s profile, but it puts limits this film as well. It’s a good story and worth watching, but is not ground-breaking, and clearly is not an in-depth or entirely accurate look at the story.
It was also a source of a major controversy, as the movie’s release was delayed by allegations of childhood sexual abuse were levied against Bernard Garrett Jr., the son of the main character and a producer on the film, by his half sisters and their mother.
14 - Tehran - Thriller
Summary: An “Apple Original” in title only, this show was made in Israel for their public channel Kan 11, and Apple purchased the international rights. It follows Tamar Rabinyan (Niv Sultan), a young Jewish spy who was born in Iran, as she is inserted into Tehran to try and neutralize Iran’s air defenses so Israel can bomb their nuclear plant. The plot is foiled in the first episode, and Tamar is sent on the run in an enemy city, pursued by the head investigator of the Revolutionary Guard Faraz Kamali (Shaun Toub).
My Take: In many ways, this is a fairly standard spy thriller. There’s a mission, it goes wrong, and everyone is sent scrambling. Tehran gets points, from this American viewer, for exploring the largely unexplored environment of urban Iran (albeit filmed in Athens). The characters switch between Hebrew, Farsi, and English very quickly, which is challenging to hearead. But ultimately, this is a personal spy story of pawns in a bigger war, as the scope grows with each episode. There’s plenty of grey in every side of this conflict. Even with the scope, Tehran gets bogged down and the middle episodes feel filled with filler. Ultimately, it’s solid, and does feel different than most spy shows. And though we get a satisfying resolution, the door is left open for season 2, which is as yet officially unannounced (but reported that they are signed on for two more seasons).
13 - Boys State - Documentary (Movie)
Summary: Every year, young men are brought together in the Texas State Capitol for what is basically a political science camp, where they are broken into their own political parties, and must come up with a platform and compete in an election for roles inspired by state government. During it, these 16-18-year old boys must work together while competing against each other, and learning what politics are.
My Take: A documentary about young men’s mock political competition in Texas, you’ve probably just envisioned something about what this looks like, and no doubt, you’ll probably see exactly that in this documentary. But this Sundance Documentary-winning film doesn’t quite go the way you think, but also close enough that it might not matter. These teens have more nuance than I would’ve expected, and I wish adults had in politics. But it has too much nuance to be received well, I think. Still, if you want a reason to watch this, I’d put money that at least one of the featured boys in this becomes a politician of note in the near future. Also, I am interested in seeing a documentary about the same event for girls, Girls State.
12 - Tiny World - Documentary
Summary: Narrated by Ant-Man’s Paul Rudd, Tiny World takes a look at the world of small animals living in diverse natural habitats around the world. Ranging from the African savannah to the Australian outback to the north American backyard, the show features animals from monkeys that can fit in the palm of your hand, down to the ants that are ever-present.
My Take: Nature documentaries are everywhere, but the cinematography on this is mind-blowing to the point you truly wonder how some of this was shot. Clearly, a large amount of it was manipulated, with rare parts where the CGI shows through, but it doesn’t take away from just how beautiful the shots are. With Rudd’s occasionally wry narration, it makes this a nature documentary that competes with the best stuff on Netflix. The nature never gets too gory, but it does deal with the life and death (sometimes brutal) of tiny nature. And it’s even a great follow-up to the movie “The Elephant Queen” because the first episode features what could be the same dung beetle that featured in that movie! (The movie and this series were not done by the same company, though, so it might just be a look-alike dung beetle they hired.)
11 - Beastie Boys Story - Documentary
Summary: A telling of the Beastie Boys career, by the surviving members Mike “Mike D” Diamond and Adam “Ad-Rock” Horovitz themselves. Directed by Spike Jonze, this documentary is shot as the two tell their story to a live audience in a theater, alternating between them on stage laughing and joking around, and video sequences they narrate about their career, and their friends, especially the late Adam “MCA” Yauch.
My Take: This is such an unusual format for a documentary, and it works so well. It allows for some of the goofing off that one might expect from the stars, but it’s still coherent and interesting, especially for me as a casual fan of the band growing up. On a service with a lot of traditionally-made documentaries, this stands out because of both its style and its quality, and if you like pop music at all, you should enjoy this.
10 - For All Mankind - Drama
Summary: An alternate history series based off a simple question: What if the Soviet Union beat America to the moon? From Battlestar Galactica’s Ronald D. Moore, the answer is that the Americans, more competitive than ever, try to push for more ambitious goals than just landing on the moon and leaving.
My Take: One of the first Apple TV shows, it is a sometimes nerdy but very interesting look at the space race. It balances fictional characters with real life figures (sometimes making interesting decisions when changing their fate), and really tries to focus on the science side of science fiction. The show jumps across years of development, so it’s not as tedious and slow as it could be. It hasn’t captured fans’ imaginations as much as it obviously has its creators’ imaginations, but it’s a quality drama that could get better in future seasons, although it is clearly now swerving to the fiction side of science fiction.
9 - Home Before Dark - Drama
Summary: Hilde Lisko (Brooklynn Prince) is a 9-year old daughter of a journalist who wants to do what he does. When her family moves from New York to her father’s small hometown in Washington, she stumbles onto a mysterious death and does what any reporter would do: writes about it in her blog. But as the mystery expands to her father’s past, she challenges an entire city’s reluctance to face up to a tragedy from decades ago, in the name of journalism.
My Take: A dark horse series that did not get much press, Home Before Dark seems like a show for kids, but is a show is made for adults, with a mystery of twists and turns more like Gone Girl than any children’s show. Prince is the star of this show and keeps viewers attached, even as the mystery’s twists get harder to follow. The show is vaguely inspired by a real life young journalist, but realistically is not at all the same story. It doesn’t matter, as this is as much about family and youthful stubbornness as anything else.
8 - Dickinson - Comedy
Summary: A historical comedy-drama about the life of poet Emily Dickinson (Hailee Steinfeld), this show follows her as a modern-thinking woman in a restrictive 19th century setting, growing up as a teenager. It shows both what’s going on around her, and into her imaginative flights of fancy as she deals with romantic trysts, less-than-friendly friends, and restrictive parents (notably Jane Krakowski as her mother Emily).
My Take: One of the first series from Apple TV+, Dickinson is an ambitious series, but shifts between being a period piece with setting-appropriate acting, and characters acting like modern people but set in the past. As great as parts are, it does struggle with focus and tone, particularly John Mulaney’s guest role as Henry David Thoreau, which feels better suited for a Will Ferrell absurdist comedy than what this show is trying to be. Steinfeld shines in the lead role, but Ella Hunt as Dickinson’s best friend Sue and Jane Krakowski as her mother both are fantastic. The relationship between Dickinson and her best friend Sue, and hints about Dickinson’s deteriorating mental health, are both handled very well. This is a show that has a chance to really find its footing in future seasons.
7 - Greyhound - Action (Movie)
Summary: Captain Ernest Krause (Tom Hanks) has been given command of a destroyer, and a convoy of supply ships to cross the U-Boat infested Atlantic early in World War II. Without air cover, he spends days awake, attempting to outmaneuver an enemy he can not see, or even count. As ships in his convoy are attacked one by one, he must save as many as he can before getting back under the protective air cover from Great Britain.
My Take: A movie that really was meant for the big screen, Greyhound is not interested in your character development or subplots or mandatory romances (mostly). After an initial scene introducing Krause in the lone bit of character development, this movie is about the tense travel of the Atlantic with submarines hunting you. It never shows the human villains, only the occasional peak at the metal beasts when they surface. It also doesn’t jump between ships on this convoy. Strictly a single viewpoint, which makes for a fascinatingly and a little fatiguingly tense film that is shorter than it feels (only 91 minutes!) because of the thrills. This movie is a fantastically different take on the war films we know, and especially for those with military experience, a strong film.
6 - Servant - Drama
Summary: Without significant spoilers, the show focuses on a couple who recently suffered the loss of a child, and have undertaken a real doll therapy, where they take care of a doll to help the psychological effects of losing a child, and go so far as to bring in a mysterious young girl to be the doll’s nanny. Over the span of the series, secrets about the nanny, and the troubles of the couple themselves, slowly leak out.
My Take: M. Night Shymalan’s first television show is a return to the Shymalan of his early years. With the space of a series instead of a movie, Shymalan has the room to explore each character: the almost-grieving mother (Lauren Ambrose), the disaffected and disbelieving husband (Toby Kebbell), the mysterious nanny (Nell Tiger Free), and the doubtful brother of the wife (Rupert Grint, Ron from Harry Potter), who acts as an outside world anchor. By the end, it feels a bit as if the original mystery has become a subplot, but it’s left on a cliffhanger the will leap the plot forward. And throughout the series, Shymalan allows food to be a visual cue and cinematographic toy, setting the mood. This ranks as one of Shymalan’s better stories from his long career.
5 - Visible: Out on Television - Documentary (Miniseries)
Episodes: 5; Stauts: Completed
Summary: A documentary series about how all facets of LGBTQ people have been represented on television, from the 1950’s through today. As a series, the documentary takes time with many the facets of every letter in LGBTQ, and all the letters hidden within it, talking about struggles of people of color. With interviews and clips, it takes it’s time with different eras and weaves it all together. And it’s all done with an undertone of how storytelling works, and the tool that television is, both for misinformation but also for connection.
My Take: Making this a series really allows the time to give this topic the time to really explore it. It’s an engaging documentary, especially for anyone who’s spent any time watching television. There’s nuggets of memory for all of us, where we can connect to the shows we used to watch, both their flaws and triumphs. Certain critics might point to this as Apple trying to force representation down our throats, but this documentary is excellent at telling a compelling story with both history and context.
4 - The Morning Show - Drama
Summary: Apple TV+’s centerpiece, with superstar stars Reese Witherspoon, Jennifer Aniston, and Steve Carrell, and yet a scene-stealing supporting cast of Gugu Mbahta-Raw, Billy Crudup (who won an Emmy for his role), Mark Duplass, and Jack Davenport (who is never not good), the show is about a, believe it or not, morning show whose male lead is fired in a sexual misconduct scandal and the after-effects. Witherspoon’s character is unexpectedly brought in to replace him, as power battles go on behind the scenes with everyone from the network head down to the assistant producers, as the secrets spill out about the truth.
My Take: What could be a preachy show about the MeToo movement never gets that way, and attempts a nuanced discussion about the less clear-cut issues. It’s not done perfectly, as some conflicts from the episodic storyline seem to disappear in the next episode, and Mitch is frustratingly (and probably intentionally) likable even as he is hate-able, with Carell showing his range. One flaw of this show is that the extremely likable supporting cast pulls attention away from Aniston and Witherspoon, the former being appropriately lauded with praise but not getting enough to win awards, and the latter getting a little stuck in her character spot. The season finale flurry hits hard, even if it doesn’t feel completely earned, but this show has definitely become the first bankable piece ATV+ has.
3 - Defending Jacob - Drama (Miniseries)
Summary: A boy is murdered, and after an investigation, suspicion falls on one of his classmates, Jacob, who is the son of Andy Barber, one of the assistant district attorneys (Chris Evans). Andy and his wife Laurie (Michelle Dockery) must do their best to defend their son, investigating other leads, but also facing the possibility that their son is guilty, and hiding family secrets.
My Take: Starring Captain America’s Chris Evans, Defending Jacob became the summer hit for Apple TV+, drawing viewers in. The tension between Andy and his wife Laurie, and their slightly creepy son Jacob (Jaeden Martell) as the teen is accused of murder, is filled with tension and, unlike many of the series on Apple TV, comes to a full conclusion in one season. Fans of mysteries like Gone Girl will appreciate this series. Although it can feel slightly stretched, this series hits hard and makes the most of its star power.
2 - Mythic Quest: Raven’s Banquet - Comedy
Summary: Mythic Quest is an online game akin to World of Warcraft, and it’s launching a new expansion to keep its fans engaged. The studio is led by a charmingly sycophantic designer Ian (pronounced EYE-an, played by Rob Mcelhenney), and lead engineer Poppy (Charlotte Nicdao). With a staff of obsessive assistants, disinterested programmers, earnest game testers, snippy game streamers, and an elderly lead writer lost in technology, the show hops along the daily struggles of keeping a game going and its fans happy.
My Take: An absolute home run of a show, as one would expect from the team behind It’s Always Sunny in Philadelphia. Mythic Quest is absurdist comedy at its best, with McElhenney and a breakout performance from Nicdao. However, it’s also an ensemble cast with no weak spots, and a wonderfully obvious premise that is contemporary. It is at its best in two standalone episodes. The first comes out of nowhere, not featuring the main cast but instead acts as a “How the Game Industry Got Here” prequel in heartbreakingly personal fashion. The second is a special Quarantine episode that was perhaps the best quarantine-focused special episode done anywhere.
1 - Ted Lasso - Comedy
Summary: An American Football coach is inexplicably hired as a Soccer…er, real Football coach in the Premiere League in London. The titular Lasso is genuine and earnest, openly saying he doesn’t think winning has to do with the score, and he faces a soccer world where the opposite is true. He faces disbelieving players, abusive fans, unsure team staff, and a devious owner, but he barely blinks in the face of it all, and tries to keep his team from relegation…once he learns what that means.
My Take: An absolute surprise of a show, based on NBC Sports comedy promos, that has no right to be so great. Ted Lasso is on its face a fish-out-of-water sports show about an American football coach going to Europe to coach football/soccer. But it’s really a movie about a polite man in an impolite world, and bending rather than breaking, and sticking to your principles. It’s not laugh out loud funny, but it is surprisingly emotional. It’s also a show that champions maturity in a way that hits harder in a 2020 world, and so it’s also very well-timed. The only problem with Ted Lasso the show is that even though it gives Apple TV+ a recognizable character to market, it’s not a must-subscribe show. But it’s unquestionably one of Apple TV+’s best.
submitted by BruteSentiment to AppleTVPlus

A History of Doublelift - NA LCS Legend

Foreword: I wanted to write this because I know a lot of people probably came onto the scene more recently and don't know the full story of Doublelift. As a CLG fan since Season 1, I spent all of my years in high school watching this player, hoping he would succeed. To this day, I still remember the first time he won NA LCS with CLG and /DoubleliftsTrophyCase became a dead meme. I thought I'd write a small tribute to one of my favourite players of all time, and the original player who got me into esports.
Today, League of Legends is almost a household name. It is near and dear to all of us who browse this subreddit. Love it, hate it, balanced or broken, millions upon millions of us log in every single day to play, to relax, or to be part of a community. League of Legends has become part of our norm. Spamming D or F to escape grave peril, feeling the rush of a pentakill, the frustration of losing a game - they are all parts of the game that have become, for many, as natural as breathing, as regular as waking up and getting out of bed.
The story of Doublelift begins long before the glory of the current era. Before the inaugural season of NA and EU LCS in 2013. Before Faker had downloaded the game and played for the first time. Before Fnatic hoisted the first world championship in Sweden in 2011.

Beginnings

The story of Doublelift begins in Mission Viejo California, when a young boy, born of first-generation Chinese immigrants, who had fallen in love with video games from the moment he had touched a Nintendo 64 first started playing computer games on his brother's desktop. The boy, Yiliang "Peter" Peng, embarked on his odyssey in PC gaming, much like how most of us did - with classic Blizzard titles: StarCraft, Diablo, WoW. What the boy picked up often depended on the whimsy of his brother and friends. The tide of MOBA-style games came to him in the forms of DotA and WoW. But the stresses of being a teenager, and the strictness of his home environment quickly began to eat into his ability to play games. At the time, he was only playing most of those titles casually - and eventually, he stopped playing all of them altogether. All, except for one game: League of Legends.
Admittedly, he didn't keep playing League because it was necessarily his favourite among all the games he played, or because he thought he was particularly good at it. He kept playing because, in his own words, "it was a game he could play casually"
That all changed when he began to top the ladder. People started to recognize Peng. He was no longer just some nerdy kid from Mission Viejo. Online, he was "Doublelift" - one of the best players of League of Legends. And in spite of mounting pressure from his parents to go make something of himself, and the insecurities of becoming a pro video gamer in those early days, Doublelift ventured into the darkness and uncertainty with the ambition of becoming a professional.
The first team Doublelift joined was nameless - a ragtag group of high rated ladder players - Atlanta, mandatorycloud, Yiruru, and wallstop. Its foundation became the team "APictureofAGoose." But he wasn't there for long. In those early days, before the allure of multi-million dollar contracts, and job stability, the formation of teams was almost spontaneous. Doublelift left Atlanta's team for a short stint on a team known as "Team SoloMid" formed by the Dinh brothers, Reginald and Dan Dinh. But quickly swapped to the team of one of his friends from the game with whom he often played, HotShotGG. There, Doublelift spent his first time on CLG - but found himself unsatisfied with the environment. His search for a team that would "actually practice" left him trying to join the organization of fellow NA player William "scarra" Li. When that deal fell through, he finally found a home in Epik.Gamer - a team that had competed at the 2010 World Cyber Games, but had previously disbanded. On May 1, 2011, Epik.Gamer reassembled: its roster was Dan Dinh, Salce, Dyrus, Westrice, bobbyhankhill, and of course, Doublelift.
The team found immediate success, placing second at the Riot Season 1 NA Qualifiers, but falling just short to a team Doublelift had previously left - Team SoloMid. The placement, however, was sufficient enough to earn Doublelift a ticket to Dreamhack 2011 - a ticket to the first World Championship in League history.
But earning the ticket and being able to cash it in were two separate problems for Doublelift. The decision to pursue playing video games professionally did not sit well with his tradition-oriented parents. To them, the idea of gaming was antithetical to success - it was a waste of time, a waste of their child's potential. They, like all parents, worried for the murky future that devoting so much time to playing a game might create. The event their son so desperately wanted to go to was some sort of trap - perhaps both literally and metaphorically. He would go. But he would never come back.
After painstakingly convincing his parents that "he wasn't going to have his organs harvested there," Doublelift went to Sweden with team Epik.Gamer. They went undefeated in Groups, only to be knocked into the loser's bracket off a 2-0 by a team that they had actually overcome during Group Stages - Fnatic. In the loser's bracket, Epik.Gamer and Doublelift would yet again fall to the team that had bested them in qualifiers: Team SoloMid.
In Sweden, Doublelift tasted, for the first time, the fruits of his labour, winning back a few thousand dollars of prize money. But he also tasted the bitter bite of defeat. To go undefeated in group stages, only to fall short in elimination games when it mattered. Winning and losing on the game's biggest stage had lit a fire in him.
But when he came back home from Sweden, the situation had become icy. While his parents acknowledged the earnings he had just made, to them, the excursion to Sweden was a one-time indulgence. It was time for their son to find a real job - to grow up and join the workforce.
Eventually, tensions boiled over. And Doublelift was forced to leave his own house with nothing but his computer, his bicycle, and a bit of spare cash. But Lady Luck was kind to him. An inquisitive and kind Redditor, with the user tag "tnomad" - better known now as Travis Gafford, in response to the thread Doublelift posted in the fallout, gave Doublelift a home to live in for the time being, and the breath he needed to get back on his feet.

The Winless Star

After Worlds, Doublelift left Epik.Gamer and signed with a team known as unRestricted, which would later become Curse. With the move, came a role swap. While he had played Support going into Worlds (having been known for his Blitzcrank in SoloQ), he would now be the starting ADC. With his teammates in Pobelter, Lapaka, NyJacky, and LiQuiD112, the team would go compete in various circuit tournaments - MLG, IPL, and IEM. But the change of team and position was a rocky transition. Curse would post mediocre results at all of the major LAN events they attended. And Doublelift would eventually leave them for the team he had previously been with, and one of the bigger names in the scene at the time now - Counter Logic Gaming.
In those early days, the CLG roster Doublelift joined was about as close to a super team as you could have gotten. The two larger than life personalities of Saintvicious and HotShotGG, as well as the star mid-laner Bigfatlp, and a player known for his methodical approach to the game in Chauster.
On CLG, Doublelift finally found a home. And in Chauster, a mentor. Many who remember the scene from back then will fondly remember the term "Chauster School." And in that academy of hard knocks, Doublelift would quickly develop as one of the bigger names when it came to the ADC role. But it was never quite enough. While CLG posted high placements throughout much of the Season 2 Circuit, they never managed to take the final step and win a tournament on the largest stage. After a disappointing finish in OGN Summer 2012, where CLG was knocked out in the first round of playoffs, Saintvicious left the team after a public and infamous row with their star top laner HotShotGG.
After saintvicious left, the uncertainty of the situation, and inability to find a suitable replacement, saw HotShotGG role swap from his home in the top lane to jungle, while CLG picked up CRS's up and coming top laner VoyBoy. The roster featuring "George in the Jungle" was workable. But it also did not win. At the qualifiers for Season 2 Worlds, Doublelift knocked out his former team in CRS to finish 3rd and earn his second ticket to League's highest stage.
This time, he wouldn't even make it out of groups, finishing a disappointing 1-2 and not even getting the opportunity to play an elimination series.
CLG's slide continued to plague Doublelift following Season 2 World's. The team suffered numerous roster changes and role swaps. But the one consistent factor was the player who had quickly made a name for himself as one of, if not the best ADC in NA - Doublelift.
2013 was the inaugural year of NA LCS. The big 4 of Team SoloMid, Team Curse, Dignitas, and Counter Logic Gaming were all expected to dominate the league. But in the opening spring split, CLG finished a mediocre 13-15 in the Round Robin, enough to award them a shaky 4th place before they were then immediately knocked out in the opening round of playoffs by Team Vulcan.
The low finish meant Doublelift and his teammates would have to play for their careers in the promotion tournament following Spring Split. They requalified by knocking out the team of Doublelift's former teammate in bigfatlp's Azure Cats.
In Summer, CLG performed exactly the same as Spring, but this time, 13-15 in the Round Robin was only enough to give them 6th place in the regular season. While they staved off potentially having to play in relegation by defeating CRS in the 5th place match of playoffs, CLG's mediocre finishes across two splits meant that for the first time since he started playing professionally, Doublelift would miss out on playing at Worlds (though he would join as a voice on the analyst desk).
The 2014 offseason saw one major change for Doublelift. While he had seen his fair share of roster swaps over his now 2-year tenure on CLG, management had now gifted him an up-and-coming talent from a promotion team called Team FeaR. That player's in-game name was "Aphromoo".
With the newly dubbed Rush Hour bot lane, CLG and Doublelift surged, narrowly missing out on Finals at IEM 8 Cologne as well as LCS Spring 2014, finishing 3rd in both. But just as things began to look up for Doublelift, roster swaps in the top lane and a general slump for the team left Doublelift and CLG floundering once again in the 2014 Summer Split. By this time, CLG had become known for being a one-dimensional team. Memes of "Protect the Doublelift" or being only able to play around their singular star player began to surface. And the ever-present /doubleliftstrophycase became an homage to a player who, despite being regarded as the best in his role by many, had never been able to win. The cursed 13-15 record would come back, but this time, CLG would be forced to play in relegation after losing the 5th place match in playoffs.
Doublelift would once again, have to fight on the Rift for his livelihood against a former teammate - this time in Saintvicious.

Turning Around

Those who watched the 5 game series between CLG and Curse Academy are not likely to forget it. The series started off with 2 straight crushing victories in a row for Curse. In the eyes of CLG and Doublelift fans alike, the outlook had become incredibly grim. But with their backs against the wall and no fancy draft tricks or smoke and mirrors to rely on, CLG fell back on the one player on their roster who was still remaining from those season 2 days: Doublelift. In Game 3, an absolute do-or-die moment, CLG drafted only around, played only around, and enabled only Doublelift. With a team comp of Lulu top, Orianna mid, Elise jungle, and Braum-Tristana bot lane, if Doublelift couldn't put on a performance worthy of all the praise he received, he might never get another chance to. He would be the sole decider in whether or not one of NA's old guard, and most revered teams from the early scene, would survive relegation. If ever there were a time for "Protect the Doublelift" to live up to its meme-worthy title, or for it to succeed - Game 3 against Curse Academy, in the relegation series following NA LCS Summer 2014 was the final opportunity.
In a nail-bitingly close game to decide the future of a franchise, Doublelift showed up where he absolutely had to. Hitting the late game as Tristana, he showed no fear in walking into the welcoming maw of Curse, demanding respect for his sheer carry potential. If you haven't seen it before, I welcome you to watch the game that, in this writer's opinion, turned Double's career around. Not an LCS finals game. Not a Worlds game. Not even an LCS playoff game. A relegation game. And Doublelift smashed it.
CLG won that one game and off the momentum of it, completed a reverse sweep of Curse Academy.
Following that intensely narrow scrape with relegation, CLG would go on to achieve 2nd place at IEM 9 Cologne, falling in the finals to Gambit Gaming. They rode the wave to a 3rd place finish in the regular season of NA LCS Spring 2015, going 12-6. But once again, they fell short in the playoffs, losing in the first round to Team Liquid.
Up until now, Doublelift had proven time and time again that he was a player with potential. In those days, the word "potential" was almost taboo to CLG fans. The rosters always were the kind that could go far. But they never quite did when it mattered the most. People began to have their doubts about Doublelift. Was he truly worthy of being called a top ADC if he had never been able to win anything across his entire career? After a stellar international performance at IEM, Doublelift still hadn't been able to grasp first. Even when CLG had performed well in the regular season, they couldn't seem to get the final push.
Adding to the list of his frustrations was the sight of his old rivals in TSM succeeding where he could not, and newcomers in C9 meteorically rising to the top. All while Doublelift was a spectator.
In NA LCS's 2015 Summer Split, CLG and Doublelift finished 2nd after losing a tiebreaker for first place with Team Liquid. But in the playoffs, the team became a different beast entirely. They swept Team Impact to reach a Finals against the team that had started it all for Doublelift. The team that had beaten him 4 years ago in the online qualifiers for Season 1 Worlds that had launched his career: Team SoloMid. It was destiny.
It's a strange thing that the trend of history can do to a fan's perspective. The CLG fans who had stayed loyal to the org, the Doublelift fans who just wanted to watch him succeed, almost none of them dared breathe a word of CLG being favoured going into the match. This was the same CLG and the same Doublelift who had never quite been able to win before. This was the Doublelift who was cursed forevermore to have an empty trophy case. The same Doublelift who could only ever have potential.
It's a stranger thing when the fact begins to smash the fiction.
When Doublelift got a pentakill on Jinx in the second game of that series, Madison Square Garden erupted. And there wasn't a single soul in that venue who didn't begin to believe that this was finally it. That Doublelift had finally vanquished his demons. Those beliefs were rewarded when CLG routed TSM in the 3rd game of the series.
Doublelift had, for the first time in his career, for the first time since he had tasted the inkling of victory in Sweden in 2011 after going undefeated in Groups, finally filled his trophy case. He had won NA LCS.
And while the taste of victory was perhaps soured by CLG's mediocre showing at Worlds, nobody could ever deny his legacy in the league ever again.
While his career following that first win in 2015 isn't the spotless slate I wish it could be for narrative purposes, it is undeniable that in the years that followed, Doublelift cemented his legacy as perhaps the greatest player in NA's history. Certainly among the old guard, Doublelift between 2015 and 2020 has proven himself as the one lasting and timeless player to keep winning domestically. Whatever his international woes may be, this was a player, who had come from nothing, who had given his entirety to the game from the moment it launched, and he had made it.
It's fitting that Doublelift named himself after a magic trick. Because to me, and to many of his fans, his career has been nothing but magic to watch. And as we end this chapter of League of Legends and esports history, I hope we never forget one of the stars that helped make League what it is today.
submitted by TormentedLoL to leagueoflegends

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