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Trying hard to transition to Studio One 5 (Artist) from FL Studio 20 (Producer), having a tough time ironing out some of the details.. Would absolutely love ANY and ALL input!!

Hey guys! I would absolutely love your input here. A quick bit of background.. I just started making music again back in April (being stuck at home through Covid lockdown, I fell back in love with making music after pretty much giving it all up for drugs about 10 years ago). I used to have a pretty sophisticated setup, but since starting back up again I had to put together a new setup from scratch and in the process get re-acclimated with all of the new music production software on the market.
I was initially using a borrowed Microsoft Surface tablet running Windows 8 and FL Studio 12. It was pretty slow (low CPU) and the tiny screen created frequent GUI issues, but it was decent enough for me to learn on. I eventually purchased a new desktop PC of my own that came with Windows 10 pre-installed, and I upgraded to FL Studio 20. I won't waste your time going into the litany of problems I was having, moral of the story is my FL experience on Windows 8 was way different than my experience on Windows 10. At this point, the time and energy I am wasting on troubleshooting is really interfering with my ability to actually create music, so I decided it was time to move on to a new DAW. I've tried some of the "free" ones (LMMS, Cakewalk, Reaper) and I have licenses for Bitwig Studio, Ableton Live LITE and Studio One 5 ARTIST.
After spending a couple days test driving all of them, Studio One felt like the clear cut winner. I just really love the overall feel/workflow, I think the UI looks really nice, and overall it just feels very intuitive. Most of the time things work the way I expect them to. I run a dual monitor setup and I love being able to detach the console and the editor.
So this week has been Studio One boot camp. I'm reading as much as I can, trying to really understand all of the features, watching youtube tutorials, etc. Trying to learn it inside and out the way I knew FL. But there's a couple of things I'm just not able to figure out and I feel like an idiot. Please forgive my ignorance, I really am trying!
  1. One of the things I loved the most about FL was the piano roll. Especially the way it works when creating drum patterns / tracks. Namely, it was very easy to load one sample (lets say a Hi-Hat), go into the piano roll and then draw in the notes. Then, I could take a step back and transpose any of those events to different keys in the piano roll. So let's say C5 is set by default to playback the sample. I could easily move any of the notes in the pattern to any other key to change the pitch of the sample. I can't figure out for the life of me how to accomplish this using Impact XT. When I look in the editor, it shows me each sample that I have assigned to the Impact XT pads on the corresponding key (ie C1, C4, D5, etc). I have to be overlooking something, right? I really hope this question makes sense..
  2. Another feature in FL that was unique to FL Studio 20 was "Time Stretching". In 11, it was so much more difficult to take a sample and make it longer or shorter OR change the pitch of the sample without adjusting the duration of it. They really got that feature right in version 20. Is there a similar way to achieve this in Studio One?
  3. Let's say I'm using an instrument plugin on one track to create a synth part. If I create another track and I want to use the same instrument plugin (with a different preset/parameter settings), should I load a second instance of that plugin in the Instrument window? Or is there a more CPU friendly way to accomplish this? One thing I really love about Studio One already is "layers", but it appears that it is only meant to store multiple takes of the same intended audio clip.
There are a couple other areas that I'm still a bit hazy on, but those are the big ones. I really hope I articulated all of that in a way that made sense. I do apologize in advance for my ignorance, I really am trying to figure all of this out but so far I just haven't found an explanation that clicks for me. Again, there are a lot of things about Studio One that I already really love so I really do want to stick with it!
Thanks for taking the time to read, hope you're all staying healthy and safe!
submitted by seven_four_shoreline to StudioOne

Basslines: dumb question from transitioning producer

Hi, I'm a producer with experience in other genres now trying my hand at uplifting trance (in the direction of dan stone, darren porter etc). Let's get straight into it.
So i'm trying to tackle the basslines right now (NOT sub) 1) How many? What octaves should they play? 2) Where to lowcut? 3) Should I use a clicky attack at the beginning? Short pitch envelope or something?
Additionally - if there exists some sort of template or basic project with an example of effective stack of basslines, would be great if somebody shares it :) just for reference of course.
submitted by rosbergsessa420 to tranceproduction

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