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Basic Rotes for the Cult of Ecstasy - Correspondence
I think the most difficult part of this tradition is not to make them into a caricature nor allow their magick to become too diluted and convenient. While there are many avenues toward Bliss and many drugs do provide powerful experiences, to actually reach a state in which magick is possible is not just a matter of taking a sip of booze or a inhale a puff of a cigarrete. There is trainning, knowledge and effort behind those practices. What you do while riding the lakashin is as important as how you get there.
I don't know if I suceeded at showcasing how to push these mage from the silly stereotype of superheroes powered by drugs, but thats what I am aiming to do. To make a case for Ecstatics to be explorers of occult and supernatural that could match the flavor and pedigree of any other tradition.
As always, Feedback is not only welcome but essencial. It is what pushes me to improve and motivate me to writter more content.
Correspondence Entropy Forces Life Matter Mind Prime Spirit Time
Correspondence Entropy Forces Life Matter Mind Prime Spirit Time
Keywords: The lingering threads of passion, Communion through ecstasy, The force of longing and craving, Yoga and Alternate perceptions.
O - Strings of Ananda: The cult of Ecstasy believes there is a mystical pulse, known as Lakashim, that is revealed during powerful experiences that shift people's perceptions, state of consciousness or that pushes them out of their usual restrained mindset. One of the first things an Ecstatic learns is to sense the lingering threads Lakashin leaves between people, objects and places involved in moments of liberation.
By using extenuating physical activity such as tantric sex, collective sports, vigorous fighting and dancing the mage finds connection with subjects that allows recognition of “scents” they share with other individual, locations and objects involved in communal moments of overwhelming love, pain, hate, fear, intimacy, spirituality, or bliss.
Alternatively, the mage use dance, drugs, art and yoga to “savor” the unique flavor of a particular spot so he can later identify other people that also go to it looking for liberation.
While this rote is taught as a way to find resources, partners and to unveiling the secret lives people lead while looking for the particular sources of bliss it is also a traditional tool of hunting and stewardship as cultists are indoctrinated to pursue abusers and predators using the bounds that tie them to their victim and the scenes of their crimes.
O - To Touch Through Bliss: Part of ecstasy is the dissolution of the self in the bliss of a moment. The art of the cult is all about forgetting preconceived notions about what people and things are and their roles in the universe. This rote is an example of these mages uniqueness as it understands motion, presence and space through touch, taste and balance, eschewing the usual visual perceptions humans, and most other awakened, are trained to rely on.
In order to begin the process nothing more is required than closing one’s own eyes. As it is true with many ecstatic practices, rituals and the effects blend together as the motions and disorientation of an action brings forth the Lakashin that adds bewildering dimensions to the ritual itself. It is a trance that gets deeper and deeper and allows the mages senses to spill out of the confinement of his own body, touching, tasting and felling all the surrounding space.
A ballerina become one with her dancing partners as she can judge distance and motion as if they were always holding invisible hands, an ecstatic street fighter feels his opponent’s strikes as if they were always on mystical hold and an urban explorer dangerously navigating an abandoned building can touch distance ceilings and walls looking for passages using the pulsing beats of his heart, racing with excitement and fear. Sculptors create impressively pieces as they are perfectly aware of texture and shape and ecstatic lovers have an uncanny sense of the proportion, motions and bodies of their lovers.
Cultists are especially adept at navigating the movements of crowds as they become one with the ebb and flow of bliss coursing through cheering fans of sports events, the dancing floor of a club or the feverish auditory of a music concert.
OO - Ride the Wave: The world has a pulse, a beating heart whose blood is existence itself. The ecstatic arts try to connect with this pulse and manipulate the energies and properties that rise from it and often escape common perceptions. This rote is all about using the pulse of lakashin to disrupt and unchain the perceptions. In the apex of ecstasy, exhaustion, pain or confusion the self dissolves away and perceptions are propelled by the force of the lakashin. The mage consciousness blasts away from his body and training allows the ecstatic to control its direction and reduce it’s speed in order to follow certain paths or flow toward a specific location. While this spell can cross the word incredibly fast, it is very exhausting to keep still at any moment, as the lakashin threatens to knock away the mage by spreading consciousness too thin, like heavy ink being washed away by water. While riding the pulse, mages can sense the presence of places of bliss around him as alternate currents pushing or pulling away.
Ecstatics often use this rote as a way to explore structures, chart paths and discover other follower of bliss. While it isn’t as useful for spying on a subject it can quickly touch bases with multiple people and places of interesting order to see if there is anything that might require more attention.
OO - Mohini’s Dance: The Ecstatic arts are about communion and the gift of liberation. As important as opening one’s own perceptions, it is to lead other people away from the limitations of conformity and habit. Through repetitive, maddened mantras, motions and movements the ecstatic shapes the lakashin into a whirlwind of confusion and enlightenment he can cast as a net over someone.
A single touch or desperate scream releases this effect over a target. Twisted by Mohini’s Dance a subject is freed from fixed perceptions of space, movement, location and direction. The world spins and shakes on itself, arms and legs don’t seem to go in the proper direction and up, down left and right just seem wrong and changed somehow. A featureless room becomes impossible to navigate, a person securely down still feels as if in vertiginous free fall, to stand still feels like twisting and turning in the air and even the most accomplished acrobat cannot help but to fall to the floor after one or two steps.
This effect can be deeply entertaining or incredibly horrific depending on the willingness and acceptance of the enchanted person. It is also a time honored form of accessing deep layers of the lakashin, with skilled ecstatics creating a name for themselves by leading fellow cultists through confusion and freedom no earthly substance or practice could ever achieve. Chantries of the cult have no prison cells for their captives as they are just placed on rooftops or cliff edges under the effect of this spell.
OOO - The Maze of Arms: Places pulsing with the Lakasin connect on a primordial level. Distance, space and separation arise from the limits of our perception, and if one can touch bliss, he can make those concepts lose their grip. The maze of arms is a modern version of more ancient practices. It involves the mage getting intoxicated or spinning into confusion and diving into a crowd engaging in celebration. While old religious rituals were often the avenue for this spell, any rave, night club or party is able to reach the same effect in modern nights. As long as the mage loses his sense of present location and purposefully dives into space itself he is able to reach in the direction of a familiar location, suddenly falling amidst the nearest crowd of people. While jumping between two simultaneous parties is the optimal plan, any agglomeration of people will serve as an exit point and heavy disorientation is the only requirement for the jump.
In times of need ecstatics have been known to appear amidst packed subway or train stations, in the middle of political rallies and on the floor of blackfriday rushes. Also to jump blindly outside a window and hope for the best is a known, if reckless, tactic to escape technocratic pursuers in a pinch.
Bungee Jump over valleys and rivers is often a favorite avenue for entering the Maze of Arms due to the added shock and commotion that stirs a community when cables come back empty and no body can be retrieved even after weeks of search and rescue. Many “bottomless holes” have this effect as source of their fame, and, ironically, in many of such places this effect has become easier and even a part of the consensus sleepers can defy in the proper situations.
OOO - Safe in Delight: While most of the cults arts are about opening up and increasing perception, there is also power to be taken from internalization and complete focus on a particular source of bliss to the exclusion of everything else. This rote teaches the cultist how to find safety and seclusion in his practices. As long as he devotes himself to experience a powerful sensation like pain, drugs or orgastic plesure or binds his atention to the execution of a particular music, the steps of a dance or the motions of a yoga progression nothing in the physical world can touch him and no physical barrier can hold him. This rote requires the mage to dim his awareness of the outside world and many use blindfolds, headphones or psychedelic drugs when in situations where long sessions of meditation or increasing number of hectic repetitions may defy the whole point of the practice.
OOOO - Dive into Desire: Longing, desire and exaltation are powerful currents that drag people along similar realms of bliss. While engaging in practices and states of liberation, a cultist can dive in those currents either join other seekers of bliss or bring them to his physical presence through the force of desire. Mages who learn this rote are never alone while practicing their postures, enjoying the waves of inebriation or letting music flow through their souls. Liberation expands their spirits showing other souls in the extended area that are engaging in the same practices.
After casting this spell cultists projects their invisible and material presences toward groups or places where ecstasy is being celebrated. Impressions of the events that happen in those locations merge and superimpose with the cultists normal perceptions and with concentration they may choose to make their forms visible and tangible. By holding people and objects at these remote locations, mages can choose to drag them through the lakashin back to their original location in the physical world.
While older ecstatics maintained a routine of exercise and meditation that connected them to their followers and temples, newer generations seem to particularly enjoy dancing to the beats of distant raves, feel the cheering of the crowds of nearby sports events and quietly whispering in the ears of their lover while going through their more mundane duties. In official tradition business this rote is often used to keep an eye on clubs, meeting places, dens and temples under ecstatic care and sponsorship. Additionally, a special version of this rote binds two lovers or mentors and apprentices together allowing them to reach for each other at a moment's notice.
OOOO - Wrap Into a Dream: Ecstatics usually don’t dedicate much attention to material objects and possessions but exceptions to that rule are their prefered tools of liberation. Instruments of pleasure, pain, devotion and the sacred substances that open the doors of perception are host to the energy of lakashim itself, they vibrate along the seekers and become extensions of their enlightenment. This rote allows the cultist to secure his favorite or sacred tools inside his spirit, making them vanish from the physical dimension in order to float along the lakashin itself, close to the heart of the mage.
To access the tools is a matter of concentration and focused desire. The craving, memory and intent of the mage summons them back into the sensible world. Securing them back into their dreams is often the first action cultists take once the energies of ecstasy have been summoned and the tools have fulfilled their purpose. These consecrated objects seem to disappear outside the view, carried along the energies of other magickal effects the cultist set himself toward.
In older times, vagrant monks often had a surprising collection of precious herbs and tools seemingly hidden inside their robes, while modern ecstatics alway appear to have hidden stashes around the town and can conceal objects in what others would swear were empty bags and backpacks.
OOOOO - Spiritual Contortion: Yoga and its forms are among the most iconic tools the Cult shares with other traditions with Hindu influence. While the Akasha may focus on discipline and harmony and the Euthanatus may try to use it as path to spiritual growth, the cultist also embrace its capacity for expanding one’s preconceived view of space and the limits of human motion. This rote is about shattering the chains of perception and twisting those limits beyond the boundaries of physics and geometry.
Cultists can fold themselves into impossibly smalls spaces and can slowly extend their arms and legs through unnatural lengths while focusing on reaching distant objects, they can slip between the iron bars of a prison and craw over walls and ceiling as if they were on solid ground. While they themselves don’t feel or perceive any distortion or bending of their form, bystander perceptions are assaulted by optical tricks and forms flickering in and out of place, distorted in the most unsettling ways.
The most terrifying aspect of this technique is how it teaches cultists to contort and bind other people. By pushing, pulling and holding a person, a mage may lock them inside walls, trip them to vanish inside objects and can even bind two or more subjects in disconcerting knots of multiple arms and legs that seem to mesh together as pictures in superposition.
A traditional war technique of the cult is to bind opponents into a metaphysical hold that locks them inside the space occupied by the mage own body. Stories abound of a particularly efficient ecstatic seductress that kidnapped a large number of technocratic agents by locking them inside herself during irresistible tantric positions.
OOOOO - Sculptures of Perception: It is common knowledge how psychedelic substances often lead experiences in which the world distorting itself in different dimensions and proportions seem to superimpose on normal perception. While sleepers may attribute those reactions to the misfiring of neurons and the flood of unregulated chemical signals, ecstatics know that in those events, people actually get glimpses of the hidden nature of the cosmos. the truth is that the universe is impossibly complex and it has never ended its creative expansion. Despite surface appearances, nothing is static or finite, what we commonly observe is a single aspect, a single dimension, of the endless explosion people, objects and places are. Events that extend as waves across multiple dimensions and timelines until the edge of infinity.
With their eyes open to this fractal expansion of existence, masters of space are able to push objects and locations to manifest their true nature to the perceptions of all people. Under their command, structure and objects grow, multiply and move creating cathedrals and construction that defy geometry and nature. A single coin flipped into the air falls as a rain of a thousand shiny objects, a single wall expands and flows into a wave trapping hostile invaders. A single step multiply itself into a stair that leads to the heavens.
While form and size don’t matter, an object weight and resistance may still be a concern and some mages have learned that hard way that a bamboo strip can be made into a imposing bridge but it would never be able to hold the weight of even a small child and while fortress walls can be made from a single stone, they shatter like glass under the actual assault of enemy cannons.
Mantras along with powerful substances are the traditional path toward opening the necessary perceptions but ecstatic often learn how to use trances, meditation, physical extenuation or mind bending pain and pleasure as more slow, controlled forms of reaching the same states. Intensive Breathworks have been explored as a modern alternative for masters that would rather avoid the lingering side effects or over reliance on chemical compounds.
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